Against the background of the current determination of the place of theater in society under the keyword “repoliticization,” these efforts are examined using the prominent example of the Berlin “Schaubühne” as an example. The central question is directed at the innovation constraints this requires in the artistic as well as organizational realm of the theater as its own enabling site. The results will be published as a paper in the ISInova publication project.
Contact: René John (rene.john@isinova.org)